CHARGED PARTICLES: Jazz with a spark!
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  • Home
  • Biography of the Band
  • Biographies of the Players
    • Murray Low
    • Aaron Germain
    • Jon Krosnick >
      • Lunar Octet
      • State of Mind
      • Jon Krosnick Quintet
      • Pangaea
      • Silver Sax
      • The Ferric Fang Quartet and Brasswind
      • The New Jazz Sextet II
      • The New Jazz Sextet I
      • Jon Krosnick Trio 2019 NYC
      • Other Bands
  • Performance Schedule
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
    • 2018
    • 2017
    • 2016
    • 2015
    • 2014
    • 2013
    • 2012
    • Past Performances
  • Performance Projects
    • With Saxophonist Paul McCandless
    • Celebrating Michael Brecker, with Tod Dickow
    • Celebrating John Coltrane
    • With Vocalist Rocío Guitard
    • Educational Workshops >
      • Workshops for Students
      • Example Workshop for Younger Children
      • Example Workshop for Older Children
      • Guide for Teachers
      • Educational Philosophy
      • Residencies and Master Classes
      • Concerts for Seniors
      • The Business of Jazz
    • Orchestra Collaborations >
      • Project Overview
      • Reviews
      • Listen to Studio Recordings
      • Listen to Live Concert Performance
      • The Arranger: Jerry Depuit
      • Posters and Programs for Orchestra Appearances
      • Buy a Recording
  • Videos and Audio
    • Watch CP
    • Listen to CP
  • Recognition and Publicity
    • Press Coverage
    • Reviews by Presenters
    • Posters
    • Radio Station Airplay
    • Murray Low at SF Jazz Center
  • Photos
    • Photos of CP
    • High Res Photos for Publication
    • High Res Paul McCandless Photos
    • High Res Brecker Tribute Photos
    • On Tour with Paul McCandless
  • CDs
    • First CD: "Charged Particles" >
      • Charged Particles Track List
      • Liner Notes
      • Reviews
      • Listen to "Charged Particles"
      • Buy "Charged Particles"
    • Second CD: "Sparks" >
      • Sparks Track List
      • Liner Notes
      • Reviews
      • Listen to "Sparks"
      • Buy "Sparks"
    • Live at the Baked Potato! >
      • Live at the Baked Potato!
      • Liner Notes - Live at the Baked Potato!
      • Press Coverage - Live at the Baked Potato!
      • Radio Airplay - Live at the Baked Potato!
    • Orchestra Collaborations >
      • Project Overview
      • Listen to Studio Recordings
      • The Arranger: Jerry Depuit
      • Buy a Recording
    • Columbus Collection
    • The Turnaround - Vol. 1
  • History
    • Appearances w/ Guest Artists >
      • CP III Special Guests
      • Nguyen Le
      • Peter Erskine
      • Kevyn Lettau
      • Dennis Chambers
      • Doc Gibbs
      • David Garfield
      • Dewa Budjana
      • Other Guest Vocalists
      • Emerging Artists
    • Alumni >
      • CP I Alumni >
        • CP I Photos
        • Alumni: Caleb Hutslar
        • Alumni: Mike Rak
        • Alumni: Ron Hope
        • Alumni: Jim Maneri
      • CP II Alumni >
        • CP II Photos
        • Alumni: Kim Pensyl
        • Alumni: Andy Woodson
      • CP III Alumni
    • From the Fans
  • Stage Plot
  • Contact Us
  • Links to Other Artists
CHARGED PARTICLES: Jazz with a spark!

Technical Requirements

and
​
​
Instructions for Performances


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charged_particles_trio_-_stage_plot_and_backline_requirements.pdf
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Electrical Requirements

Four standard electrical outlets in the center of the stage

Two 20-foot electrical extension cords

Sound Equipment Requirements

2 direct box hook-ups (for electronic keyboards and bass)

1 mic for announcing on a straight stand

9 mics for drums

mixing board with at least 12 input channels

mixing board must have capacity for two separate stage monitor mixes

three monitor speakers for use on stage

PA amplifier and speakers for the audience

One trained staff member to set up and operate this equipment

Lighting Requirements

One follow-spot light with operator

One person to operate the light board (which should have the capacity to fade stage lights up from total darkness to full stage lights)

Additional Guidelines

The artists need full and exclusive access to the performance space beginning two and one half hours prior to the start time of the concert. The artists will have completed their setup and sound check by 30 minutes prior to the start time, at which point audience members may enter the performance space.

The artists will need to be met by a representative two and one half hours prior to the start time of the concert at a specific location. Assistance of one person will be needed to help with equipment load-in.

A large rolling cart will be needed at the load-in point to facilitate transportation of the equipment to the stage.

A table and chair will be needed in the lobby of the performance area for displaying and selling the band's CDs and cassettes. It would be appreciated it a person could be provided to staff this table.

Please provide Charged Particles with:

1.     Name, address, and 2 telephone numbers for the sponsor's contact person.

2.     Meeting place at the performance location, with exact driving directions from Columbus, Ohio.

3.     Written listing of the brands and models of sound equipment to be used at the performance.

4.     Written confirmation that necessary lighting equipment will be provided and staffed.

5.     Name(s), telephone number(s), and best times to reach the person(s) who will provide and operate the sound equipment.

6.     Name(s), telephone number(s), and best times to reach the person(s) who will provide and operate the lighting equipment.

7.     Number of audience seats in the performance space.

8.     Names and telephone numbers for local radio stations, newspapers, and magazines that might be willing to provide coverage of or promotion of the performance.

 
Charged Particles Lighting Procedures

1                 The concert may begin with an introduction of the performers by the sponsor.

2                 After any starting announcement is made, all lights on stage and in the audience should be completely turned off

3                 The drummer will come out in darkness and begin to play softly.

4                 When the drummer first hits the snare drum, a spot light on him should begin to fade up as slowly as possible. This fade should take at least one full minute and longer if possible.

5                 When the drummer begins playing the cowbell, all stage lights should suddenly come on full.

6                 After this, stage lighting can stay on full for the remainder of the concert.

7                 At various points during the concert, each of the performers will play by himself. At these times, the follow-spot should focus on the solo performer, with the other stage lights becoming less bright. Then when the entire band begins to play again, the stage lights can return to full strength.